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Student certificate, Girls Gymnasium, Odessa, Ukraine, 1917
Student certificate, Girls Gymnasium, Odessa, Ukraine, 1917

The Jewish Community of Odessa

Odessa 

In Ukrainian: Одeса; in Russian: Одeсса

Capital of Odessa Oblast, Ukraine.

The presence of the first Jews in Odessa dates back to the year 1789. Between the end of the eighteenth century and the outbreak of World War II, the Jewish population of Odessa grew to180,000 (nearly 30% of the total population of the city).

From the start the Jews from Odessa engaged in export and wholesale trade, banking and industry, the liberal professions and crafts.

The community was made up of Jews from all over Russia and also from other countries. The influence of the Maskilim (those belonging to the Enlightenment movement) in Odessa was considerable and also reached other parts of Russia.

The Pogroms
Anti-Jewish outbreaks occurred on five occasions (1821, 1859, 1871, 1881, 1905) in Odessa, as well as many attempted attacks or unsuccessful efforts to provoke them.

Intensive anti-Jewish agitation shadowed and accompanied the growth of the Jewish population and its economic and cultural achievements. Almost every sector of the Christian population contributed to the agitation and took part in the pogroms; the monopolists of the grain export (especially the Greeks in 1821; 1859; 1871) in an attempt to strike at their Jewish rivals, wealthy Russian merchants, nationalist Ukrainian intellectuals, and Christian members of the liberal professions who regarded the respected economic position of the Jews, who were "deprived of rights" in the other towns of the country, and their Russian acculturation as "the exploitation of Christians and masters at the hands of heretics and foreigners" (1871; 1881). The government administration and its supporters favored the pogroms as a means for punishing the Jews for their participation in the revolutionary movement; pogroms were also an effective medium for diverting the anger of the discontented masses from
opposition to the government to hatred of the Jews. After the revolution, during 1917-19, the association of Jewish combatants was formed by ex-officers and soldiers of the Russian army. It was due to the existence of this association that no pogroms occurred in Odessa throughout the civil war period.

Zionist and Literary Center
From the inception of the Hibbat Zion movement Odessa served as its chief center. From here issued the first calls of M.L. Lilienblum ("the revival of Israel on the land of its ancestors") and L. Pinsker ("Auto-emancipation") which gave rise to the movement, worked for its unity ("Zerubbavel", 1883), and headed the leadership which was established after the Kattowitz conference ("Mazkeret Moshe", 1885-89).

The Benei Moshe Society (founded by Achad Ha-Am in 1889), which attempted to organize the intellectuals and activists of the movement, was established in Odessa.

The social awakening of the masses gave rise to the popular character of the Zionist movement in Odessa. It succeeded in establishing an influential and ramified organization, attracting a stream of intellectual and energetic youth from the towns and villages of the pale of settlement to Odessa - the center of culture and location of numerous schools - and provided the Jewish national movement with powerful propagandists, especially from among the ranks of those devoted to Hebrew literature.

The group of authors and activists which rallied around the Zionist movement and actively participated in the work of its institutions included M.L. Lilienblum and Achad Ha-Am, M.M. Ussishkin, who headed the Odessa committee during its last decade of existence, and M. Dizengoff, Zalman Epstein and Y.T. Lewinsky, M. Ben-Ammi and H. Rawnitzky, Ch.N. Bialik and J. Klausner, A. Druyanow and A.M. Berakhyahu (Borochov), Ch. Tchernowitz, S. Pen, M. Gluecksohn and V. Jabotinsky.

These had great influence on the youth, who were not only initiated into Jewish national activity, but were enriched in Jewish culture and broadened in general education.

During the 1920's and 1930's
With the advent of the Soviet regime, Odessa ceased to be the Jewish cultural center in southern Russia. The symbol of the destruction of Hebrew culture was the departure from Odessa for Constantinople in June 1921 of a group of Hebrew authors led by Bialik. The Yevsektsiya chose Kharkov and Kiev as centers for its activities among the Jews of the Ukraine. Russian-oriented assimilation prevailed among the Jews of Odessa in the 1920's (though the city belonged to the Ukraine). Over 77% of the Jewish pupils attended Russian schools in 1926 and only 22% Yiddish schools. At the University, where up to 40% of the student role was Jewish, a faculty of Yiddish existed for several years which also engaged in research of the history of Jews in southern Russia.

The renowned Jewish libraries of the city were amalgamated into a single library named after Mendele Mokher Seforim. In the later 1930's, as in the rest of the Soviet Union, Jewish cultural activity ceased in Odessa and was eventually completely eradicated. The rich Jewish life in Odessa found vivid expressions in Russian-Jewish fiction, as, e.g., in the novels of Yushkevich, in Jabotinsky's autobiographical stories and his novel Piatero ("They Were Five," 1936) and particularly in the colorful Odessa Tales by Isaac Babel, which covered both the pre-revolutionary and the revolutionary period and described the Jewish proletariat and underworld of the city.

The Holocaust Period
After June 21, 1941, many Jews from Bukovina, Bessarabia, and western Ukraine fled from German and Rumanian rule to Odessa. Some Jews in Odessa were called up to the Red Army, and many others left during the two months' siege of the city.

On October 22, 1941, an explosion wrecked a part of the building of the Rumanian military general headquarters (the former headquarters of the Soviet secret police). General Glogojeanu, the city's military commander, and many Rumanian and German officers and soldiers were killed. In the first reprisals carried out the following day, 5,000 persons, most of them Jews, were killed. Many of them were hanged at crossings and in the public squares. Ion Antonescu ordered the execution of 200 communists for every officer who had been killed, and 100 for every soldier, and ordered that one member of every Jewish family be taken hostage. Nineteen thousand Jews were arrested and brought to the square at the harbor, doused with gasoline, and burned. Another 16,000 were taken the following day to the outskirts, where all of them were massacred. Another 5,000 Jews were subsequently arrested, and soon after the massacres, deported to camps set up in Bogdanovka, Domanevka, Krivoye Ozero, and other villages, where about 70,000 Jews, all from southern Transnistria, were concentrated. During December 1941 and January 1942, almost all of them were killed by special units of Sonderkommando (Russia) aided by Rumanian police soldiers, Ukrainian militia, and, especially, by the SS units, made up of former German colonists in the region. On Dec. 7, 1941, Odessa became the capital of Transnistria. The governor, G. Alexianu, and all the administrative institutions transferred their headquarters from Tiraspol to Odessa. Subsequently, steps were taken to make Odessa Judenrein. After the last convoy left on February 23, 1942, Odessa was proclaimed Judenrein. The local inhabitants and the occupying forces looted Jewish property. The old Jewish cemetery was desecrated and hundreds of granite and marble tombstones were shipped to Rumania and sold.

Soviet troops under general Malinovsky returned to Odessa on April 10, 1944. It is estimated that at the time of liberation, a few thousand Jews were living in Odessa, some of them under false documents or in hiding in the catacombs. Others were given shelter by non-Jewish families. There had been numerous informers among the local Russians and Ukrainians but also persons who risked their liberty and even their lives to save Jews.

During the 1950's and 1960's
After the Jewish survivors returned, Odessa became one of the largest Jewish centers of the Soviet Union. However, there was no manifestation of communal or cultural life. In 1962 private prayer groups were dispersed by the authorities and religious articles found among them were confiscated. A denunciation of the Jewish religious congregation and its employees appeared in the local paper in 1964. Baking of Matzah by the Jewish community was essentially prohibited during the period 1959-65. It was again allowed in 1966. In the 1959 census 102,200 Jews were registered in Odessa, but the actual number has been estimated at about 180,000 (14-15% of the total population).

From 1968 several Jewish families were allowed to emigrate to Israel, following the increased demand for exit permits of Soviet Jews in the wake of the Six-Day War (1967). The emigration to Israel and other countries increased during the 1970's and especially after the break-up of the Soviet Union.

Community Institutions
Contemporary Odessa has a variety of institutions serving the needs of its Jewish population, which today numbers about 45,000 (3.5% of the city's total population). Community life has been particularly developed since 1991, when the American Jewish Joint Distribution Committee opened its first office in the city.
The religious life of the Community is concentrated around the Osipova Street Synagogue.

The Odessa Municipal Jewish Library opened its doors in 1994. It contains books and periodicals in Hebrew, Yiddish, Ukrainian, Russian and English. The library functions as a community center.

The Odessa Jewish Cultural Society was founded in 1989. The Society organizes activities through its Migdal Education and Arts Center, Association of Former Jewish Victims of the Ghetto and Nazi Camps, Di Yiddishe Leed (Jewish song workshop), Drama Workshop Theater and Mame Loshn Magazine.

Gmilus Hesed is a welfare organization which helps the needy, disabled and solitary Jews of Odessa. Its range of activities includes medical consultations, Sunday meals program, visits to the homes of the elderly and loans of medical equipment.

There are two kindergartens, two day schools, and four Sunday schools.

Of the three cemeteries in Odessa, two (the Old Cemetery and the First Jewish Cemetery) were destroyed in 1936 and 1978 respectively and today only the Third Jewish Cemetery functions.

Jacob Weinberg (1879-1956), composer and pianist, born in Odessa, Ukraine (then part of the Russian Empire). He studied at the conservatories of Moscow and Vienna (1910-1911). From 1915-1921 he taught music at the conservatory in Odessa. In 1922 he toured Russia and Europe and then settled in Eretz Israel, where he lived until 1926. In 1927 he went to the United States.
Among his compositions are the opera The Pioneers of Israel – one of the first to describe life in Eretz Israel, the liturgical works Sabbath on the Land and Sabbath Prayers, which were an attempt to adapt Israeli folk songs to prayers, and the oratorios Isaiah (1948), and the Life of Moses (1952). He composed music for the plays Uriel Acosta and Jacob’s Dream, music for choir and orchestra for the ode Gettysburg Address and music for The Dead Sea Scrolls for baritone and organ. He died in New York.

Ze'ev Vladimir Jabotinsky (1880-1940) - Zionist leader, founder of Revisionist Zionist Party. Writer, journalist and orator, born in Odessa, Ukraine (then part of the Russian Empire) into a traditional Jewish family. He studied law in Italy and Switzerland.
During World War I he helped form the Jewish Legion of the British army which helped liberate Israel from the Ottomans’ occupation.

In 1923 he quit the World Zionist organization and established the new Revisionist party called Alliance of Revisionists–Zionists and its youth movement, Betar.

During the 1930s Jabotinsky was deeply concerned with the situation of the Jewish community in Europe and went on to warn Jews that they should leave for Palestine as soon as possible.

In 1935, after Zionists executives rejected his political program he resigned from the Zionist movement and founded the New Zionist Organization, NZO, to conduct independent political activity for free immigration to Palestine and the establishment of the Jewish state.

In 1937 Jabotinsky became the commander of the IZL, Irgun Zvai Leumi (National Military Organization), which was the militant wing of the Revisionist party.

Jabotinsky died of a heart attack in New York, on August 4, 1940, while visiting an armed Jewish self-defense camp run by Betar

In 1964 Jabotinsky’s remains were brought to Israel and buried in Jerusalem at Mount Herzl Cemetery.

Vladimir Acosta (1900-1967), architect, born in Odessa, Ukraine (then part of the Russian Empire) as Vladimir Konstantinowski, who developed the relationship between architecture and climate. He fled to Italy after the Russian revolution and studied architecture. In 1922 he went to Berlin, Germany, to study engineering and then in 1928 he emigrated to the Argentine where he worked on his ideas for combining climatic considerations with architecture. His ideas were incorporated in his “Helios” system. He developed a climate control system by creating buildings with terraces facing the sun. The terraces would face north in the southern hemisphere or south in the northern hemisphere. The windows build on the “sunny” wall were protected from the sun by pergolas and shades so that the rooms of the house do not suffer from the from the sun in summertime, when the sun is highest, but would enjoy light and solar heat in winter. The Helios system openings were made on the north or northeast to enable air to enter under arbors or awnings from the west and northwest to create a cooling air mass to avoiding heat buildup on the walls. Using these techniques, he sought to create a "thermal aura" or "private climate" around the house.

Towards the end of his life Acosta became professor of Architectural Design at the University of Buenos Aires and devoted his time to teaching. He was also guest lecturer at to lecture at Harvard and Cornell Universities in the US. He published two books where is explained and discussed his theories.

Wolf Shestapol (1832-1872), cantor and composer, born in Odessa, Ukraine (then part of the Russian Empire). In his youth he sang with his father, who was also a cantor, as well as with Bezalel Shulsinger. Shestapol was appointed cantor in Kherson, named Velvele Khersoner, and studied for a while with Solomon Sulzer in Vienna.
Shestapol’s compositions were influenced by Italian and French opera. For instance, part of his Adonay Zekharanu was adopted from an aria in La Traviata. Some of his songs were taken by Goldfaden to be performed at the Yiddish theatre, among them Omman Ken, Musaf-Kaddish and Ve'al Hamedinot. He died in Odessa, Ukraine.

Nathan Milstein (1904-1992), violinist, born in Odessa, Ukraine (then part of the Russian Empire). He studied with Auer (in St. Petersburg) and Ysaye (in Brussels). He made his debut in 1914. After the revolution he toured Russia with Vladimir Horowitz and Gregor Piatigorsky. From 1925 he lived in Berlin and in 1929 he settled in the USA. Milstein undertook numerous concert tours. He also composed variations for solo violin and cadenzas for concertos he played. He died in London, England.

Ezra Sussman (1900-1973), poet and translator, born in Odessa, Ukraine (then part of the Russian Empire). He immigrated to Eretz Israel in 1922. Sussman regularly contributed poems – original and translated – and drama critiques to the Davar daily since its founding.
Sussman translated, among others, Voltaire’s Candide and selected poems by Pasternak. A single volume of his own poetical work was published in 1968, entitled Shirim. He died in Rishon Lezion, Israel.

Jacobo Ficher (1896-1978), composer, conductor, violinist, music theorist and teacher born in Odessa, Ukraine (then part of the Russian Empire). At first he studied violin in Odessa, but in 1912 he enrolled in the Imperial Conservatory in of St Petersburg, Russia, where he studied violin, harmony, counterpoint, fugue, composition, and orchestration. He graduated in 1917 and became Concert Master at the State Opera of Petrograd. Because of the conditions in Soviet Russia, he emigrated to Argentina in 1923 and settled in Buenos Aires.

Initially he became known in Argentina as a violinist but within a short time he began to compose and then conduct in his new country. In 1929 he founded the "Grupo Renovación" in order to promote modern Argentinian music. He won awards from the city of Buenos Aires for his compositions on three separate occasions. In 1928 he won a competition organized by the Leningrad Philharmonic Orchestra.

In 1939 Ficher was appointed official conductor of the Symphony Orchestra of AGMA (Association of Musicians General of Argentina), later called ADEMA. In 1948, inspired by the establishment of the State of Israel, he composed his Fifth Symphony entitled "Thus Spoke Isaiah", and in the same year, he composed his cantata "A Psalm of Joy" for soloists, chorus and orchestra. It was premiered in 1952 under his leadership. In 1957 he won second prize for a Saxophone Quartet in the competition organized by SODRE Montevideo, Uruguay, for the Latin American Contemporary Music Festival and in 1960 he was awarded a prize for his Seventh Symphony "Epic of May". In 1961 the National Academy of Fine Arts awarded him The Mozarteum Argentino prize for his Quintet for Piano and Strings.

In 1947 he helped to establish the Composors' Association of Argentina. In 1969 he was appointed Member of the Academy of Fine Arts. As a teacher he was professor of composition at the National Music School of the University of La Plata in the Province of Buenos Aires, Professor at the National Music Conservatory, and the Institut Superior de Arte of the Teatro Colón, all of Buenos Aires.

Michael (Misha) Kogan (1917-1984), businessman and industrialist, born in Odessa, Ukraine (then part of the Russian Empire). His family fled the anti-Jewish persecutions and pogroms of the 1920s and settled in Harbin, China. Kogan attended "The First Commercial School" in Harbin
in 1937, and was an active member of the local branch of Betar Zionist youth movement. He then continued his studies at the UMCA college in Harbin and in 1938 went to Japan, where graduated from the prestigious Waseda University in Tokyo, having acquired an excellent command of the Japanese language and culture.

In 1944 Kogan returned to China settling in Tianjin, where he opened his first company that dealt in natural hair wigs and floor coverings. After the establishment of the Communist regime in China, he returned to Tokyo in 1950. In 1953 he founded Taito Trading Company, later known as Taito Corporation, a company that began by importing and distributing vending machines and then jukeboxes before turning into a video game company and a developer of video game software and arcade hardware. He spent long periods of time in Israel and in Hong Kong. 

During WW2, Kogan was in touch with a number of personalities in Japan, most notably with Yasue Norihiro, a colonel with the Japanese Army's intelligence services and one of the initiators of the "Fugu Plan" of re-settling European Jews in the Japanese-occupied Manchuria. Kogan's archives, known as "Kogan's Papers", contain valuable materials from Japanese sources that relate to the development of the relationship between the Jews and
the Japanese during WW2.

Michael Kogan passed away while on a visit to Los Angeles in 1984.

His widow Asya Kogan nee Kachanovsky (1924-2013) was a major donor to Shamir Medical Center (Assaf Harofeh) in Israel.

Benno Moiseiwitsch (1890-1963), pianist, born in Odessa, Ukraine (then part of the Russian Empire). He won the Anton Rubinstein Prize at the Odessa Academy at the age of nine. Later he studied with Theodor Leschetizky in Vienna. Moiseiwitsch went to England with his family when he was a boy and in 1908, he made his debut there. From 1919 he was a frequent guest pianist with major European and American orchestras. He mastered a wide repertoire and was considered a noted interpreter of romantic music, especially of Chopin. He died in London, England.

Yefim Ladizhinsky studied painting in Bershadsky's studio and at the Academy of Fine Arts in Odessa. From 1931 he lived chiefly in Moscow, where he worked as a set designer. Starting in the mid-1960s he devoted most of his time to painting. He immigrated to Israel in 1978, after destroying some 2,000 of his works because he could not amass the sum required to take them out of the Soviet Union. The loss of his work and the crisis of migration affected him gravely, leading to his suicide three years later.
A master of diverse painting and drawing techniques, Ladizhinsky worked in several styles during the course of his career. It was in Moscow in 1968 that he began the series "Growing Up in Odessa," and he continued working on it after his arrival in Jerusalem.
Ladizhinsky's one-man shows included the Theater Guild (1962) and Artists' House (1969) in Moscow; the Israel Musem (1980) and Artists' House (1982) in Jerusalem; the University Gallery (1980) and the Mane Katz Museum (1996) in Haifa; in Ein Harod Museum of Art (1982); and the Barbican Centre, London (1992).
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The Jewish Community of Odessa

Odessa 

In Ukrainian: Одeса; in Russian: Одeсса

Capital of Odessa Oblast, Ukraine.

The presence of the first Jews in Odessa dates back to the year 1789. Between the end of the eighteenth century and the outbreak of World War II, the Jewish population of Odessa grew to180,000 (nearly 30% of the total population of the city).

From the start the Jews from Odessa engaged in export and wholesale trade, banking and industry, the liberal professions and crafts.

The community was made up of Jews from all over Russia and also from other countries. The influence of the Maskilim (those belonging to the Enlightenment movement) in Odessa was considerable and also reached other parts of Russia.

The Pogroms
Anti-Jewish outbreaks occurred on five occasions (1821, 1859, 1871, 1881, 1905) in Odessa, as well as many attempted attacks or unsuccessful efforts to provoke them.

Intensive anti-Jewish agitation shadowed and accompanied the growth of the Jewish population and its economic and cultural achievements. Almost every sector of the Christian population contributed to the agitation and took part in the pogroms; the monopolists of the grain export (especially the Greeks in 1821; 1859; 1871) in an attempt to strike at their Jewish rivals, wealthy Russian merchants, nationalist Ukrainian intellectuals, and Christian members of the liberal professions who regarded the respected economic position of the Jews, who were "deprived of rights" in the other towns of the country, and their Russian acculturation as "the exploitation of Christians and masters at the hands of heretics and foreigners" (1871; 1881). The government administration and its supporters favored the pogroms as a means for punishing the Jews for their participation in the revolutionary movement; pogroms were also an effective medium for diverting the anger of the discontented masses from
opposition to the government to hatred of the Jews. After the revolution, during 1917-19, the association of Jewish combatants was formed by ex-officers and soldiers of the Russian army. It was due to the existence of this association that no pogroms occurred in Odessa throughout the civil war period.

Zionist and Literary Center
From the inception of the Hibbat Zion movement Odessa served as its chief center. From here issued the first calls of M.L. Lilienblum ("the revival of Israel on the land of its ancestors") and L. Pinsker ("Auto-emancipation") which gave rise to the movement, worked for its unity ("Zerubbavel", 1883), and headed the leadership which was established after the Kattowitz conference ("Mazkeret Moshe", 1885-89).

The Benei Moshe Society (founded by Achad Ha-Am in 1889), which attempted to organize the intellectuals and activists of the movement, was established in Odessa.

The social awakening of the masses gave rise to the popular character of the Zionist movement in Odessa. It succeeded in establishing an influential and ramified organization, attracting a stream of intellectual and energetic youth from the towns and villages of the pale of settlement to Odessa - the center of culture and location of numerous schools - and provided the Jewish national movement with powerful propagandists, especially from among the ranks of those devoted to Hebrew literature.

The group of authors and activists which rallied around the Zionist movement and actively participated in the work of its institutions included M.L. Lilienblum and Achad Ha-Am, M.M. Ussishkin, who headed the Odessa committee during its last decade of existence, and M. Dizengoff, Zalman Epstein and Y.T. Lewinsky, M. Ben-Ammi and H. Rawnitzky, Ch.N. Bialik and J. Klausner, A. Druyanow and A.M. Berakhyahu (Borochov), Ch. Tchernowitz, S. Pen, M. Gluecksohn and V. Jabotinsky.

These had great influence on the youth, who were not only initiated into Jewish national activity, but were enriched in Jewish culture and broadened in general education.

During the 1920's and 1930's
With the advent of the Soviet regime, Odessa ceased to be the Jewish cultural center in southern Russia. The symbol of the destruction of Hebrew culture was the departure from Odessa for Constantinople in June 1921 of a group of Hebrew authors led by Bialik. The Yevsektsiya chose Kharkov and Kiev as centers for its activities among the Jews of the Ukraine. Russian-oriented assimilation prevailed among the Jews of Odessa in the 1920's (though the city belonged to the Ukraine). Over 77% of the Jewish pupils attended Russian schools in 1926 and only 22% Yiddish schools. At the University, where up to 40% of the student role was Jewish, a faculty of Yiddish existed for several years which also engaged in research of the history of Jews in southern Russia.

The renowned Jewish libraries of the city were amalgamated into a single library named after Mendele Mokher Seforim. In the later 1930's, as in the rest of the Soviet Union, Jewish cultural activity ceased in Odessa and was eventually completely eradicated. The rich Jewish life in Odessa found vivid expressions in Russian-Jewish fiction, as, e.g., in the novels of Yushkevich, in Jabotinsky's autobiographical stories and his novel Piatero ("They Were Five," 1936) and particularly in the colorful Odessa Tales by Isaac Babel, which covered both the pre-revolutionary and the revolutionary period and described the Jewish proletariat and underworld of the city.

The Holocaust Period
After June 21, 1941, many Jews from Bukovina, Bessarabia, and western Ukraine fled from German and Rumanian rule to Odessa. Some Jews in Odessa were called up to the Red Army, and many others left during the two months' siege of the city.

On October 22, 1941, an explosion wrecked a part of the building of the Rumanian military general headquarters (the former headquarters of the Soviet secret police). General Glogojeanu, the city's military commander, and many Rumanian and German officers and soldiers were killed. In the first reprisals carried out the following day, 5,000 persons, most of them Jews, were killed. Many of them were hanged at crossings and in the public squares. Ion Antonescu ordered the execution of 200 communists for every officer who had been killed, and 100 for every soldier, and ordered that one member of every Jewish family be taken hostage. Nineteen thousand Jews were arrested and brought to the square at the harbor, doused with gasoline, and burned. Another 16,000 were taken the following day to the outskirts, where all of them were massacred. Another 5,000 Jews were subsequently arrested, and soon after the massacres, deported to camps set up in Bogdanovka, Domanevka, Krivoye Ozero, and other villages, where about 70,000 Jews, all from southern Transnistria, were concentrated. During December 1941 and January 1942, almost all of them were killed by special units of Sonderkommando (Russia) aided by Rumanian police soldiers, Ukrainian militia, and, especially, by the SS units, made up of former German colonists in the region. On Dec. 7, 1941, Odessa became the capital of Transnistria. The governor, G. Alexianu, and all the administrative institutions transferred their headquarters from Tiraspol to Odessa. Subsequently, steps were taken to make Odessa Judenrein. After the last convoy left on February 23, 1942, Odessa was proclaimed Judenrein. The local inhabitants and the occupying forces looted Jewish property. The old Jewish cemetery was desecrated and hundreds of granite and marble tombstones were shipped to Rumania and sold.

Soviet troops under general Malinovsky returned to Odessa on April 10, 1944. It is estimated that at the time of liberation, a few thousand Jews were living in Odessa, some of them under false documents or in hiding in the catacombs. Others were given shelter by non-Jewish families. There had been numerous informers among the local Russians and Ukrainians but also persons who risked their liberty and even their lives to save Jews.

During the 1950's and 1960's
After the Jewish survivors returned, Odessa became one of the largest Jewish centers of the Soviet Union. However, there was no manifestation of communal or cultural life. In 1962 private prayer groups were dispersed by the authorities and religious articles found among them were confiscated. A denunciation of the Jewish religious congregation and its employees appeared in the local paper in 1964. Baking of Matzah by the Jewish community was essentially prohibited during the period 1959-65. It was again allowed in 1966. In the 1959 census 102,200 Jews were registered in Odessa, but the actual number has been estimated at about 180,000 (14-15% of the total population).

From 1968 several Jewish families were allowed to emigrate to Israel, following the increased demand for exit permits of Soviet Jews in the wake of the Six-Day War (1967). The emigration to Israel and other countries increased during the 1970's and especially after the break-up of the Soviet Union.

Community Institutions
Contemporary Odessa has a variety of institutions serving the needs of its Jewish population, which today numbers about 45,000 (3.5% of the city's total population). Community life has been particularly developed since 1991, when the American Jewish Joint Distribution Committee opened its first office in the city.
The religious life of the Community is concentrated around the Osipova Street Synagogue.

The Odessa Municipal Jewish Library opened its doors in 1994. It contains books and periodicals in Hebrew, Yiddish, Ukrainian, Russian and English. The library functions as a community center.

The Odessa Jewish Cultural Society was founded in 1989. The Society organizes activities through its Migdal Education and Arts Center, Association of Former Jewish Victims of the Ghetto and Nazi Camps, Di Yiddishe Leed (Jewish song workshop), Drama Workshop Theater and Mame Loshn Magazine.

Gmilus Hesed is a welfare organization which helps the needy, disabled and solitary Jews of Odessa. Its range of activities includes medical consultations, Sunday meals program, visits to the homes of the elderly and loans of medical equipment.

There are two kindergartens, two day schools, and four Sunday schools.

Of the three cemeteries in Odessa, two (the Old Cemetery and the First Jewish Cemetery) were destroyed in 1936 and 1978 respectively and today only the Third Jewish Cemetery functions.

Written by researchers of ANU Museum of the Jewish People
Jacob Weinberg

Jacob Weinberg (1879-1956), composer and pianist, born in Odessa, Ukraine (then part of the Russian Empire). He studied at the conservatories of Moscow and Vienna (1910-1911). From 1915-1921 he taught music at the conservatory in Odessa. In 1922 he toured Russia and Europe and then settled in Eretz Israel, where he lived until 1926. In 1927 he went to the United States.
Among his compositions are the opera The Pioneers of Israel – one of the first to describe life in Eretz Israel, the liturgical works Sabbath on the Land and Sabbath Prayers, which were an attempt to adapt Israeli folk songs to prayers, and the oratorios Isaiah (1948), and the Life of Moses (1952). He composed music for the plays Uriel Acosta and Jacob’s Dream, music for choir and orchestra for the ode Gettysburg Address and music for The Dead Sea Scrolls for baritone and organ. He died in New York.

Ze'ev Vladimir Jabotinsky

Ze'ev Vladimir Jabotinsky (1880-1940) - Zionist leader, founder of Revisionist Zionist Party. Writer, journalist and orator, born in Odessa, Ukraine (then part of the Russian Empire) into a traditional Jewish family. He studied law in Italy and Switzerland.
During World War I he helped form the Jewish Legion of the British army which helped liberate Israel from the Ottomans’ occupation.

In 1923 he quit the World Zionist organization and established the new Revisionist party called Alliance of Revisionists–Zionists and its youth movement, Betar.

During the 1930s Jabotinsky was deeply concerned with the situation of the Jewish community in Europe and went on to warn Jews that they should leave for Palestine as soon as possible.

In 1935, after Zionists executives rejected his political program he resigned from the Zionist movement and founded the New Zionist Organization, NZO, to conduct independent political activity for free immigration to Palestine and the establishment of the Jewish state.

In 1937 Jabotinsky became the commander of the IZL, Irgun Zvai Leumi (National Military Organization), which was the militant wing of the Revisionist party.

Jabotinsky died of a heart attack in New York, on August 4, 1940, while visiting an armed Jewish self-defense camp run by Betar

In 1964 Jabotinsky’s remains were brought to Israel and buried in Jerusalem at Mount Herzl Cemetery.

Vladimir Acosta

Vladimir Acosta (1900-1967), architect, born in Odessa, Ukraine (then part of the Russian Empire) as Vladimir Konstantinowski, who developed the relationship between architecture and climate. He fled to Italy after the Russian revolution and studied architecture. In 1922 he went to Berlin, Germany, to study engineering and then in 1928 he emigrated to the Argentine where he worked on his ideas for combining climatic considerations with architecture. His ideas were incorporated in his “Helios” system. He developed a climate control system by creating buildings with terraces facing the sun. The terraces would face north in the southern hemisphere or south in the northern hemisphere. The windows build on the “sunny” wall were protected from the sun by pergolas and shades so that the rooms of the house do not suffer from the from the sun in summertime, when the sun is highest, but would enjoy light and solar heat in winter. The Helios system openings were made on the north or northeast to enable air to enter under arbors or awnings from the west and northwest to create a cooling air mass to avoiding heat buildup on the walls. Using these techniques, he sought to create a "thermal aura" or "private climate" around the house.

Towards the end of his life Acosta became professor of Architectural Design at the University of Buenos Aires and devoted his time to teaching. He was also guest lecturer at to lecture at Harvard and Cornell Universities in the US. He published two books where is explained and discussed his theories.

Wolf Shestapol

Wolf Shestapol (1832-1872), cantor and composer, born in Odessa, Ukraine (then part of the Russian Empire). In his youth he sang with his father, who was also a cantor, as well as with Bezalel Shulsinger. Shestapol was appointed cantor in Kherson, named Velvele Khersoner, and studied for a while with Solomon Sulzer in Vienna.
Shestapol’s compositions were influenced by Italian and French opera. For instance, part of his Adonay Zekharanu was adopted from an aria in La Traviata. Some of his songs were taken by Goldfaden to be performed at the Yiddish theatre, among them Omman Ken, Musaf-Kaddish and Ve'al Hamedinot. He died in Odessa, Ukraine.

Nathan Milstein

Nathan Milstein (1904-1992), violinist, born in Odessa, Ukraine (then part of the Russian Empire). He studied with Auer (in St. Petersburg) and Ysaye (in Brussels). He made his debut in 1914. After the revolution he toured Russia with Vladimir Horowitz and Gregor Piatigorsky. From 1925 he lived in Berlin and in 1929 he settled in the USA. Milstein undertook numerous concert tours. He also composed variations for solo violin and cadenzas for concertos he played. He died in London, England.

Ezra Sussman

Ezra Sussman (1900-1973), poet and translator, born in Odessa, Ukraine (then part of the Russian Empire). He immigrated to Eretz Israel in 1922. Sussman regularly contributed poems – original and translated – and drama critiques to the Davar daily since its founding.
Sussman translated, among others, Voltaire’s Candide and selected poems by Pasternak. A single volume of his own poetical work was published in 1968, entitled Shirim. He died in Rishon Lezion, Israel.

Jacobo Ficher

Jacobo Ficher (1896-1978), composer, conductor, violinist, music theorist and teacher born in Odessa, Ukraine (then part of the Russian Empire). At first he studied violin in Odessa, but in 1912 he enrolled in the Imperial Conservatory in of St Petersburg, Russia, where he studied violin, harmony, counterpoint, fugue, composition, and orchestration. He graduated in 1917 and became Concert Master at the State Opera of Petrograd. Because of the conditions in Soviet Russia, he emigrated to Argentina in 1923 and settled in Buenos Aires.

Initially he became known in Argentina as a violinist but within a short time he began to compose and then conduct in his new country. In 1929 he founded the "Grupo Renovación" in order to promote modern Argentinian music. He won awards from the city of Buenos Aires for his compositions on three separate occasions. In 1928 he won a competition organized by the Leningrad Philharmonic Orchestra.

In 1939 Ficher was appointed official conductor of the Symphony Orchestra of AGMA (Association of Musicians General of Argentina), later called ADEMA. In 1948, inspired by the establishment of the State of Israel, he composed his Fifth Symphony entitled "Thus Spoke Isaiah", and in the same year, he composed his cantata "A Psalm of Joy" for soloists, chorus and orchestra. It was premiered in 1952 under his leadership. In 1957 he won second prize for a Saxophone Quartet in the competition organized by SODRE Montevideo, Uruguay, for the Latin American Contemporary Music Festival and in 1960 he was awarded a prize for his Seventh Symphony "Epic of May". In 1961 the National Academy of Fine Arts awarded him The Mozarteum Argentino prize for his Quintet for Piano and Strings.

In 1947 he helped to establish the Composors' Association of Argentina. In 1969 he was appointed Member of the Academy of Fine Arts. As a teacher he was professor of composition at the National Music School of the University of La Plata in the Province of Buenos Aires, Professor at the National Music Conservatory, and the Institut Superior de Arte of the Teatro Colón, all of Buenos Aires.

Michael (Misha) Kogan

Michael (Misha) Kogan (1917-1984), businessman and industrialist, born in Odessa, Ukraine (then part of the Russian Empire). His family fled the anti-Jewish persecutions and pogroms of the 1920s and settled in Harbin, China. Kogan attended "The First Commercial School" in Harbin
in 1937, and was an active member of the local branch of Betar Zionist youth movement. He then continued his studies at the UMCA college in Harbin and in 1938 went to Japan, where graduated from the prestigious Waseda University in Tokyo, having acquired an excellent command of the Japanese language and culture.

In 1944 Kogan returned to China settling in Tianjin, where he opened his first company that dealt in natural hair wigs and floor coverings. After the establishment of the Communist regime in China, he returned to Tokyo in 1950. In 1953 he founded Taito Trading Company, later known as Taito Corporation, a company that began by importing and distributing vending machines and then jukeboxes before turning into a video game company and a developer of video game software and arcade hardware. He spent long periods of time in Israel and in Hong Kong. 

During WW2, Kogan was in touch with a number of personalities in Japan, most notably with Yasue Norihiro, a colonel with the Japanese Army's intelligence services and one of the initiators of the "Fugu Plan" of re-settling European Jews in the Japanese-occupied Manchuria. Kogan's archives, known as "Kogan's Papers", contain valuable materials from Japanese sources that relate to the development of the relationship between the Jews and
the Japanese during WW2.

Michael Kogan passed away while on a visit to Los Angeles in 1984.

His widow Asya Kogan nee Kachanovsky (1924-2013) was a major donor to Shamir Medical Center (Assaf Harofeh) in Israel.

Benno Moiseiwitsch

Benno Moiseiwitsch (1890-1963), pianist, born in Odessa, Ukraine (then part of the Russian Empire). He won the Anton Rubinstein Prize at the Odessa Academy at the age of nine. Later he studied with Theodor Leschetizky in Vienna. Moiseiwitsch went to England with his family when he was a boy and in 1908, he made his debut there. From 1919 he was a frequent guest pianist with major European and American orchestras. He mastered a wide repertoire and was considered a noted interpreter of romantic music, especially of Chopin. He died in London, England.

Yefim Ladizhinsky
Yefim Ladizhinsky studied painting in Bershadsky's studio and at the Academy of Fine Arts in Odessa. From 1931 he lived chiefly in Moscow, where he worked as a set designer. Starting in the mid-1960s he devoted most of his time to painting. He immigrated to Israel in 1978, after destroying some 2,000 of his works because he could not amass the sum required to take them out of the Soviet Union. The loss of his work and the crisis of migration affected him gravely, leading to his suicide three years later.
A master of diverse painting and drawing techniques, Ladizhinsky worked in several styles during the course of his career. It was in Moscow in 1968 that he began the series "Growing Up in Odessa," and he continued working on it after his arrival in Jerusalem.
Ladizhinsky's one-man shows included the Theater Guild (1962) and Artists' House (1969) in Moscow; the Israel Musem (1980) and Artists' House (1982) in Jerusalem; the University Gallery (1980) and the Mane Katz Museum (1996) in Haifa; in Ein Harod Museum of Art (1982); and the Barbican Centre, London (1992).